This special curation unfolds a new mode of making and viewing films. Blurring the boundaries between fiction and non-fiction, this selection of films pushes us to attend to the processes, ethics, and aesthetics of improvisation and collaboration.
This EFC panel highlights the importance of grounding our visual anthropology methodologies in decolonial ontologies and radical ethics: How can we imagine differently and co-create multimodal outputs that challenge narratives produced by capitalist and xenophobic media ecologies?